
| Sonata for clarinet and piano | 2003 | 15' |
| Manuscript with composer | ||
1st perf: David Campbell (clt), Julius Drake (pf), Isle of Man Bank Auditorium, Erin Arts Centre, 2003 Mananan International Festival. |
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| Duo for Oboe & Harp | 1991 | 8' |
| Stainer & Bell Ltd. London | ||
1st perf: Hilary Palmer (ob), Danielle Perrett (hp), Newbury Spring Festival, 15 May 1991. |
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| Concerto for Clarinet & Strings | 1989 | 27' |
| Stainer & Bell Ltd. London | ||
Solo clarinet & strs 5.4.3.3.2. Commissioned by the 1989 Harrogate International Festival with funds provided by Yorkshire Arts. ''..... marvellous lucidity.... The textures are clear and the harmonies sweet but with the odd touch of picquancy.'' ''Son Concerto pour clarinette et cordes, donné en création française, n'est pour autant une oeuvre de compromis. La pureté et la beauté du langage harmonique des deux mouvements lents qui ouvrent et concluent cette pièce, conjuguent de toute leur évidence la ligne de chant des cordes et de l'instrument soliste. Son lyrisme, toujours très ciselé, organisé et une élégante distinction, se déroule en de longues périodes d'une poétique éloquence.'' |
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| Two Studies for Bassoon & Piano | 1983 | 7' |
| Stainer & Bell Ltd. London | ||
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1st perf: Jean Owen (bsn), Hilary Punshon (pf), |
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| Concerto for Oboe & Strings | 1982 | 23' |
| Stainer & Bell Ltd. London | ||
Solo oboe & strs 5.4.3.3.2. ''.... explore aspects of the noctural world using a richly chromatic harmonic language and lines of sinuous, supple beauty...'' The Musical Times, July 1992 ''Roger Steptoe is a composer with something to say and a growing maturity in how to communicate his intentions. His Oboe Concerto proved to be a discursive work laid out in two sections combining technical brilliance with thoughtful reflection.'' Denby Richards, Hampstead & Highgate Express, May 1984. Listen (extracts): |
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| Two Impromptus for solo clarinet | 1978 | 6' |
| Stainer & Bell Ltd. London | ||
1st perf: David Campbell (cl), Kettle's Yard, Cambridge, 21 November 1978. ''The energy is apparent right from the first ffp note of the Molto drammatico introduction.'' 1st commercial recording, David Campbell (cl), Phoenix Records Musica Britannica Series DGS 1017 (1982). ''It (Clarinet Quintet) does not quite fill the record, which goes on to include two Impromptus for unaccompanied clarinet, as if to stress the point about understanding the instrument!'' |
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